W. Shakespeare’in Macbeth dram\u0131ndan y\u00fckselen bir feryad hat\u0131rl\u0131yorum. Macbeth, d\u00fcnya “cin\u00e2yet edebiy\u00e2t\u0131”n\u0131n en tan\u0131nm\u0131\u015f \u015f\u00e2iri taraf\u0131ndan yarat\u0131lm\u0131\u015f bir \u201csaral\u0131 c\u00e2ni\u201d tipi’dir. Y\u00fckseltti\u011fi fery\u00e2d da, asl\u0131nda, onun vicdan az\u00e2b\u0131n\u0131n sesidir: Macbeth, yerine ge\u00e7mek emeliyle, \u0130sko\u00e7ya k\u0131ral\u0131 Duncan’\u0131 \u00f6ld\u00fcrm\u00fc\u015f, fakat, bir sara n\u00f6beti esn\u00e2s\u0131nda i\u015fledi\u011fi bu cin\u00e2yetin hemen ard\u0131ndan, vicd\u00e2n\u0131n\u0131n kulaklar\u0131na \u00e7arpan \u015fu derin fery\u00e2d\u0131n\u0131 duymu\u015ftu:<\/p>\n
Macbeth, uykuyu \u00f6ld\u00fcrd\u00fc!.. Masum uykuyu, \u0131zt\u0131r\u00e2b\u0131 dindiren, kuvvetleri t\u00e2zeleyen, hasta ruhlara teselli veren uykuyu \u00f6ld\u00fcrd\u00fc!…<\/em><\/p>\n Bu demekti ki Shakespeare’in saral\u0131 canisinin g\u00f6zlerine art\u0131k uyku girmiyordu. \u00c7\u00fcnk\u00fc \u00f6ld\u00fcrm\u00fc\u015ft\u00fc, \u00e7\u00fcnk\u00fc cin\u00e2yet i\u015flemi\u015fti.<\/p>\n Bizde as\u0131rlardan beri, T\u00fcrk milletinin mal\u0131 olmu\u015f, can\u0131 olmu\u015f, y\u00fczy\u0131llarca, halk\u0131n dilinde, edebiy\u00e2t\u0131nda, m\u00fbsik\u00eesinde ya\u015fam\u0131\u015f, vatan kadar mill\u00eele\u015fmi\u015f, ev ve \u00e2ile har\u00eemine al\u0131n\u0131p sevilmi\u015f ve ok\u015fanm\u0131\u015f nice canl\u0131 kelimeyi k\u0131yas\u0131ya \u00f6ld\u00fcrenlerin vicd\u00e2n\u0131 b\u00f6yle bir ses duymaz m\u0131?<\/p>\n B\u00f6yleleri, nas\u0131l oluyor da bu kadar rahat uyuyabiliyorlar?<\/p>\n Bunlar\u0131 bilemeyiz, fakat her \u00f6ld\u00fcr\u00fclen kelime bir kelime \u00e2ilesi’nin mahvedilip, T\u00fcrk\u00e7enin en ac\u0131 m\u00e2tem karanl\u0131\u011f\u0131na g\u00f6m\u00fcld\u00fc\u011f\u00fc muhakkakt\u0131r.<\/p>\n Bu y\u00fczden, \u015fimdiye kadar binlerce g\u00fczel s\u00f6z kaybeden dilimiz, ba\u011fr\u0131na han\u00e7er vurulmu\u015f gibi hayk\u0131rmaktad\u0131r:<\/p>\n – Uydurmac\u0131lar, bu sefer de hay\u00e2li \u00f6ld\u00fcr\u00fcyorlar! Masum hay\u00e2li, \u0131zd\u0131raplar\u0131 dindiren insanlara e\u015fsiz g\u00fczellikler g\u00f6steren, insanlara ya\u015fama ve yaratma g\u00fcc\u00fc veren, ruhlarda tesell\u00eeler uyand\u0131ran hay\u00e2li \u00f6ld\u00fcr\u00fcyorlar!<\/p>\n Tek, hay\u00e2l denmesin diye, mill\u00ee vicdanda nurdan bir g\u00fczellikle, n\u00e2rin bir ses, r\u00fbhdan bir sevgili gibi ya\u015fayan bu zarif kelimeyi de “G\u00f6kten deh\u00e2-y\u0131 n\u00e2r\u0131 \u00e7alan” Promete’yi \u00f6ld\u00fcr\u00fcr gibi, her g\u00fcn, yeniden \u00f6ld\u00fcr\u00fcyorlar!<\/p>\n Onu b\u00fct\u00fcn b\u00fct\u00fcn \u00f6ld\u00fcrmek i\u00e7in, \u015fimdiye kadar neler yapmad\u0131lar? Ona g\u00f6r\u00fcnt\u00fc m\u00fc demediler? Ona imge demek z\u00fcppeli\u011fine mi sapmad\u0131lar? Onu, g\u00f6r\u00fcnt\u00fc diye ve daha fen\u00e2s\u0131, g\u00f6r\u00fct diye mi yok etmek \u00e7\u00e2releri aramad\u0131lar?<\/p>\n Ger\u00e7i o, b\u00fct\u00fcn bu kas\u0131tlara ve iftir\u00e2lara ra\u011fmen onu seven bir milletin y\u00fcre\u011fine sakland\u0131. Akl\u0131 ba\u015f\u0131nda kalan T\u00fcrklerin hay\u00e2linde, yine bir hay\u00e2l g\u00fczelli\u011fiyle ya\u015fad\u0131 ve canl\u0131 kald\u0131. Fakat bu uyduruk\u00e7ular, onu bilhassa k\u00f6rpe \u00e7ocuklar\u0131n ve gen\u00e7 dima\u011flar\u0131n dilinden hay\u00e2linden \u00e7ald\u0131lar, onu s\u00f6nd\u00fcr\u00fcp \u00f6ld\u00fcrme\u011fe y\u00f6neldiler.<\/p>\n Biz bu zulm\u00fcn hicr\u00e2n\u0131n\u0131, Tevfik Fikret’in Hem\u015f\u00eerem \u0130\u00e7in \u015fiirindeki fery\u00e2da benzer bir sesle, defalarca s\u00f6yledik:<\/p>\n Sen \u00f6lmedin, seni \u00f6ld\u00fcrd\u00fcler, zavall\u0131 kad\u0131n<\/p>\n Bu g\u00fcn, mevzua yeniden d\u00f6n\u00fc\u015f\u00fcm\u00fcz \u015fu sebepledir ki: Dillerde b\u00e2z\u0131 s\u00f6zler, o dillerin edebiy\u00e2t\u0131na derin derin i\u015flenir, ba\u015fka s\u00f6zler, ba\u015fka kelimelerle birle\u015ferek t\u00fcrl\u00fc if\u00e2de cilveleri yarat\u0131r. Bu s\u00f6zler, dillerde bir ses, bir m\u00e2n\u00e2, bir h\u00e2t\u0131ra g\u00fczelli\u011fi uyand\u0131r\u0131r, mill\u00ee edebiy\u00e2t\u0131n y\u00fczlerce, b\u00e2zan binlerce g\u00fczel m\u0131sr\u00e2 veya c\u00fcmlesine i\u015flenir ve b\u00f6ylece milletin h\u00e2t\u0131ras\u0131na, h\u00e2f\u0131zas\u0131na \u00f6ylesine yerle\u015fir ki \u00e2deta, d\u00f6k\u00fcld\u00fc\u011f\u00fc kab\u0131n \u015feklini alan su gibi, mill\u00ee dile bir ak\u0131\u015f, mill\u00ee g\u00f6nle bir dolu\u015f h\u00e2li ya\u015far.<\/p>\n Hay\u00e2l s\u00f6z\u00fc de b\u00f6yledir:<\/p>\n Bu kelimenin T\u00fcrk dili edebiyat\u0131nda tam bin y\u0131ll\u0131k bir hay\u00e2t\u0131, o \u00f6l\u00e7\u00fcde bir sevili\u015fi, benimseni\u015fi vard\u0131r.<\/p>\n Bir mis\u00e2l olarak, XIV. asr\u0131n Anadolu \u015f\u00e2iri Ahmed\u00ee, bu kelimeyi:<\/p>\n <\/p>\n Kadd\u00fcn hay\u00e2li dutdu g\u00f6z\u00fcmde vatan, bel\u00ee <\/em><\/strong><\/p>\n Her kande serv olsa yer\u00ee c\u00fbyb\u00e2r olur<\/em><\/strong><\/p>\n <\/p>\n gibi m\u0131sr\u00e2larda kullan\u0131r.<\/p>\n O \u00e7a\u011flar T\u00fcrkleri, as\u0131rlarca gelerek, yeni vatan co\u011frafyas\u0131na yerle\u015fiyordu. Bu arada her T\u00fcrk boyu, yeni vatan\u0131n bir k\u00f6\u015fesini se\u00e7iyor, orda vatan tutuyor, oray\u0131 vatan ediniyordu. T\u00e2rihimizin ilk Anadolu as\u0131rlar\u0131ndaki bu b\u00fcy\u00fck sosyal h\u00e2disesi, T\u00fcrk\u00e7emizde vatan tutmak, vatan edinmek gibi t\u00e2birler yaratm\u0131\u015ft\u0131.<\/p>\n Ahmed\u00ee, selvi endaml\u0131 sevgilinin, g\u00f6z \u00f6n\u00fcnden gitmeyen hay\u00e2lini d\u00fc\u015f\u00fcn\u00fcyor, her nereye baksa onu g\u00f6r\u00fcr olunca: “Nerde selvi olsa, orda bir akarsu bulunmas\u0131 gibi, g\u00f6zlerimin p\u0131nar\u0131 ba\u015f\u0131nda da senin hay\u00e2lin y\u00fckseliyor, selvi endaml\u0131 hay\u00e2lin, g\u00f6zlerimi sanki vatan edindi.” diyordu. Bu s\u00f6yleyi\u015fte hay\u00e2l, g\u00f6z \u00f6n\u00fcnden gitmeyen g\u00fczellik’ti.<\/p>\n XV asr\u0131n ilk \u0130stanbul \u015f\u00e2iri Ahmed Pa\u015fa, ayn\u0131 hay\u00e2li:<\/p>\n \u00a0<\/em><\/strong><\/p>\n Resm etmi\u015fem g\u00f6z\u00fcmde hayal\u00eeni g\u00fbyy\u00e2 <\/em><\/strong><\/p>\n Nak\u015f-\u0131 nig\u00e2r\u0131 s\u00e2gar-\u0131 merc\u00e2ne yazm\u0131\u015fem<\/em><\/strong><\/p>\n <\/p>\n \u015feklinde s\u00f6yl\u00fcyordu: \u015e\u00e2irin, a\u011flamaktan k\u0131zarm\u0131\u015f g\u00f6zleri, bir mercan kadeh gibi hay\u00e2l ediliyordu. Sevgili’nin hay\u00e2li ise, billur kadehlere i\u015flenen nak\u0131\u015flar gibi, bu mercan kadeh \u00fczerindeydi. Bu g\u00f6zler, nereye baksa art\u0131k hep o hay\u00e2li g\u00f6r\u00fcyordu.<\/p>\n T\u00fcrk\u00fcn b\u00fcy\u00fck liriklerinden Fuz\u00fbl\u00ee de hay\u00e2l kelimesini \u00e7ok sever, \u00e7ok kullan\u0131rd\u0131. Onun s\u00f6zl\u00fc\u011f\u00fcnde hay\u00e2l, ayn\u0131 zamanda, \u201csanmak\u201dt\u0131, \u201cd\u00fc\u015f\u00fcnmek\u201dti, \u201cend\u00ee\u015fe\u201d idi, \u201cd\u00fcnya hay\u00e2li\u201d de d\u00fcnyaya ba\u011fl\u0131l\u0131kt\u0131, d\u00fcnya i\u015flerini d\u00fc\u015f\u00fcnmekti.<\/p>\n S\u00fbret-\u00ee h\u00e2lim g\u00f6ren s\u00fbret hay\u00e2l eyler beni derken, yahut:<\/p>\n \u00c2hiret end\u00ee\u015fesi, d\u00fcnya hayal\u00ee kalmad\u0131 gibi s\u00f6yleyi\u015flerle bunlar\u0131 if\u00e2de ediyordu.<\/p>\n B\u00e2ki, kaba g\u00f6r\u00fct’ler de\u011fil, ince hay\u00e2ller \u015f\u00e2iriydi:<\/p>\n <\/p>\n Mevz\u00fbn kadd \u015f\u00ee’r-i b\u00fclendim mis\u00e2lidir <\/em><\/strong><\/p>\n N\u00e2zik miy\u00e2n anda bir ince hay\u00e2ldir<\/em><\/strong><\/p>\n <\/p>\n “D\u00fczg\u00fcn ve \u00f6l\u00e7\u00fcl\u00fc bir sevgili end\u00e2m\u0131, benim y\u00fcce \u015fiirime benzer, ince bir bel, bu \u015fiirde bir ince hay\u00e2l gibidir.” diyordu.<\/p>\n Nedim de hay\u00e2l s\u00f6z\u00fcn\u00fc zevkle ve \u00e7ok kullanan bir \u015f\u00e2irdi. Fuz\u00fbl\u00ee’nin gazelini tanz\u00eer ederken bu gazele:<\/p>\n <\/p>\n B\u00fbs-i l\u00e2’lin \u015f\u00f6yle s\u00eer\u00e2b-\u0131 z\u00fcl\u00e2l eyler beni <\/em><\/strong><\/p>\n Kim g\u00f6ren \u00e2b-\u0131 hay\u00e2t i\u00e7mi\u015f hay\u00e2l eyler beni<\/em><\/strong><\/p>\n <\/p>\n “Senin dudaklar\u0131n\u0131 \u00f6pmek beni \u00f6ylesine kand\u0131r\u0131r, sana susay\u0131\u015f\u0131m\u0131 o \u00f6l\u00e7\u00fcde dindirir ki g\u00f6renler, insana \u00f6l\u00fcms\u00fczl\u00fck veren suyu i\u00e7tim san\u0131rlar.” gibi \u015f\u00fbh bir s\u00f6yleyi\u015f i\u015flemi\u015fti. Fakat ayn\u0131 \u015f\u00e2ir, bir \u201cmis\u00e2l \u00e2lemi\u201dnde g\u00f6rm\u00fc\u015fcesine kusursuz \u201chay\u00e2l etti\u011fi\u201d g\u00fczel’i hatt\u00e2 \u0130stanbul gibi bir \u015fehirde bile bulamay\u0131nca:<\/p>\n <\/p>\n Yok bu \u015fehr i\u00e7re senin vasf etti\u011fin dilber Ned\u00eem <\/em><\/strong><\/p>\n Bir per\u00ee-s\u00fbret g\u00f6r\u00fcnm\u00fc\u015f bir hay\u00e2l olmu\u015f sana<\/em><\/strong><\/p>\n <\/p>\n demekten de kendini alam\u0131yordu:<\/p>\n “Bir per\u00ee-s\u00fbret g\u00f6r\u00fcnm\u00fc\u015f, bir hay\u00e2l olmu\u015f sana…” bir milletin herhangi bir evl\u00e2d\u0131, e\u011fer hakikaten o milletin evl\u00e2d\u0131 ise, T\u00fcrk\u00e7enin zaferleri aras\u0131nda yaln\u0131z bu beyti g\u00f6rse ve ondaki bir \u201chay\u00e2l olmu\u015f sana\u201d s\u00f6yleyi\u015finin ses ve m\u00e2n\u00e2 g\u00fczelli\u011fini idr\u00e2k etse, T\u00fcrk\u00e7ede hay\u00e2l kelimesini, yaln\u0131z bu m\u0131sr\u00e2\u0131n hat\u0131r\u0131 i\u00e7in ebediyen ya\u015fatmak \u015fevki duyar.<\/p>\n Halbuki T\u00fcrk \u015fiirinde hay\u00e2l’in yeri bundan ibaret de\u011fildir.<\/p>\n Es\u00e2sen bir his ve hay\u00e2l \u015fiiri olarak d\u00fcny\u00e2 \u015fiiri olarak d\u00fcny\u00e2 edebiy\u00e2t\u0131n\u0131n belliba\u015fl\u0131 \u015fiir t\u00fbfanlar\u0131ndan birini ortaya koymu\u015f eski, yeni, b\u00fct\u00fcn ger\u00e7ek \u015fiirimiz, hemen her zaman hay\u00e2l’in yaln\u0131z kendisiyle de\u011fil, kelimesiyle de s\u00fcslenmeyi bilmi\u015ftir.<\/p>\n \u015e\u00e2ir Hay\u00e2l\u00ee, kulland\u0131\u011f\u0131 \u201cmahl\u00e2s\u201dla onun m\u00e2n\u00e2s\u0131 aras\u0131nda bir fikir, bir his ve m\u00e2n\u00e2 saltanat\u0131 kurarak:<\/p>\n <\/p>\n Ge\u00e7mi\u015f zam\u00e2n olur ki hay\u00e2l\u00ee cihan de\u011fer<\/em><\/strong><\/p>\n <\/p>\n derken, yaln\u0131z kendi \u015fiirimize de\u011fil, b\u00fct\u00fcn d\u00fcny\u00e2 edebiy\u00e2t\u0131na bir \u201cm\u0131sr\u00e2\u201d kazand\u0131r\u0131yordu.<\/p>\n Kald\u0131 ki bu g\u00fczel kelimeyi kullanmak, yaln\u0131z T\u00fcrk D\u00eevan Edebiy\u00e2t\u0131’nm zevki de\u011fildir. Nice halk \u015f\u00e2irleri’miz de evlerinde ve g\u00f6n\u00fcllerinde duyduklar\u0131 bu kelimeyi bizim en mill\u00ee s\u00f6yleyi\u015flerimize i\u015flemi\u015flerdir.<\/p>\n <\/p>\n Gidiyorum i\u015fte g\u00f6r <\/em><\/strong><\/p>\n Hay\u00e2lde g\u00f6r d\u00fc\u015fte g\u00f6r <\/em><\/strong><\/p>\n D\u00fc\u015fenin dostu olmaz <\/em><\/strong><\/p>\n Hele bir yol d\u00fc\u015f de g\u00f6r<\/em><\/strong><\/p>\n <\/p>\n diyen \u201cm\u00e2ni\u201d \u015f\u00e2iri, dilimizde hay\u00e2l’i \u00f6ld\u00fcrmek isteyen vicdans\u0131zlara as\u0131rlar\u0131n \u00f6tesinden ne kadar mill\u00ee bir ders vermi\u015ftir. Daha yeni \u015fiirimizde mesel\u00e2 Ahmed H\u00e2\u015fim:<\/p>\n \u00a0<\/em><\/strong><\/p>\n D\u00f6nsek mi bu a\u015fk\u0131n \u015fafak\u0131ndan <\/em><\/strong><\/p>\n Gitsek mi ekal\u00eem-i ley\u00e2le? <\/em><\/strong><\/p>\n Bizden daha evvel eri\u015fenler <\/em><\/strong><\/p>\n A\u011flar bug\u00fcn evvelki hay\u00e2le<\/em><\/strong><\/p>\n <\/p>\n s\u00f6yleyi\u015fiyle bu kelimeye erb\u00e2b\u0131n\u0131n zevkinde ve hay\u00e2linde bir \u00f6l\u00fcms\u00fczl\u00fck vaat ediyordu.<\/p>\n <\/p>\n Yahy\u00e2 Kemal:<\/p>\n \u00a0<\/em><\/strong><\/p>\n Bir hayal \u00e2lemi peyd\u00e2 oldu, <\/em><\/strong><\/p>\n G\u00f6\u00e7t\u00fcler hep o hayal \u00e2lemine<\/em><\/strong><\/p>\n <\/p>\n diyordu.<\/p>\n <\/p>\n Hayal \u00e2lemi… \u015eimdi, bunun yerine \u201cimge acunu\u201d yahut \u201cg\u00f6r\u00fct evreni\u201d mi denecek? Dilimiz i\u00e7in ne b\u00fcy\u00fck terakki!?…<\/p>\n <\/p>\n Ayn\u0131 \u015f\u00e2irin<\/p>\n <\/p>\n Kalsayd\u0131 terke\u015fimde e\u011fer son bir alt\u0131n ok <\/em><\/strong><\/p>\n En tatl\u0131 bir hay\u00e2l i\u00e7in atmazd\u0131m ufkuma<\/em><\/strong><\/p>\n <\/p>\n gibi s\u00f6yleyi\u015flerini imgelerle, g\u00f6r\u00fct’lerle s\u00f6ylemek dilimizi ne h\u00e2le koyar? Bunu en ac\u0131 bir \u015fekilde hay\u00e2l etmek i\u00e7in, hayallerin fazla i\u015flemesine l\u00fczum yoktur. As\u0131rlar\u0131n ve bu as\u0131rlar i\u00e7indeki muhte\u015fem zaferlerin yaratt\u0131\u011f\u0131 bir T\u00fcrk g\u00fczeli i\u00e7in:<\/p>\n <\/p>\n Hayr\u00e2n olarak bakarsan\u0131z da <\/em><\/strong><\/p>\n H\u00fcly\u00e2n\u0131z\u0131 feth eder bu h\u00e2li, <\/em><\/strong><\/p>\n Be\u015fy\u00fcz sene sonra kar\u015f\u0131n\u0131zda <\/em><\/strong><\/p>\n \u0130stanbul Fethi’nin hay\u00e2li.<\/em><\/strong><\/p>\n <\/p>\n diyecek kadar hay\u00e2l’e b\u00fcy\u00fck hayat veren bir \u015f\u00e2irin milleti, b\u00fct\u00fcn bu dil ve s\u00f6yleyi\u015f zaferlerine bu \u00f6l\u00e7\u00fcde hoyrat\u00e7a h\u0131y\u00e2net edemez. Bunu yapmak, bir kelime ile ve tam m\u00e2n\u00e2s\u0131yle medeniyetsizliktir. Hatta bu ve benzeri b\u00fct\u00fcn b\u00f6yle hareketler, mill\u00ee medeniyeti \u015fu veya bu politikac\u0131n\u0131n ya da \u015fu veya bu d\u00fc\u015fman ideolojinin emrinde, ziyan etmekten ba\u015fka bir \u015fey de\u011fildir.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" W. Shakespeare’in Macbeth dram\u0131ndan y\u00fckselen bir feryad hat\u0131rl\u0131yorum. Macbeth, d\u00fcnya “cin\u00e2yet edebiy\u00e2t\u0131”n\u0131n en tan\u0131nm\u0131\u015f \u015f\u00e2iri taraf\u0131ndan yarat\u0131lm\u0131\u015f bir \u201csaral\u0131 c\u00e2ni\u201d<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[12],"tags":[],"_links":{"self":[{"href":"http:\/\/www.nihatsamibanarli.com\/index.php\/wp-json\/wp\/v2\/posts\/522"}],"collection":[{"href":"http:\/\/www.nihatsamibanarli.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.nihatsamibanarli.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.nihatsamibanarli.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.nihatsamibanarli.com\/index.php\/wp-json\/wp\/v2\/comments?post=522"}],"version-history":[{"count":0,"href":"http:\/\/www.nihatsamibanarli.com\/index.php\/wp-json\/wp\/v2\/posts\/522\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.nihatsamibanarli.com\/index.php\/wp-json\/wp\/v2\/media?parent=522"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.nihatsamibanarli.com\/index.php\/wp-json\/wp\/v2\/categories?post=522"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.nihatsamibanarli.com\/index.php\/wp-json\/wp\/v2\/tags?post=522"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}